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Honors Program

Independent Projects and Faculty Sponsors

2005-2006

    • Elizabeth Bradford Frye, “Cindy Sherman’s Untitled Film Stills: A Lesson inFeminist Ambiguity,” Dr. Dominique Linchet, Faculty Sponsor.

    • Kathryn Lee Gilmer, “A Dimension of Sight and Sound:  An Analysis of the Fan-vid Editing Process,” Mr. Robert L. Shelton, Faculty Sponsor.

    • Elisabeth Anne Glenn, “Reactions to Integration by Private Schools:  Birmingham, a case study,” Dr. Edward S. LaMonte, Faculty Sponsor.

    • Walker Elwert Grooms, “Out of Step (With Itself):  The Amorphous Nature of Straight Edge,” Dr. Frederick Ashe, Faculty Sponsor.

    • Stefanie Marie Hall, “A Sociological Analysis of Protestant Conceptions of Salvation in the United States,” Dr. William T. Myers, Faculty Sponsor.

    • Kandace Runita Hamilton, “The Reason Why I Sing:  A Vocal Exploration of Black Gospel Music,” Dr. David J. Smith and Dr. Thomas J. Gibbs, Faculty Sponsors.

    • Meredith René Hanson, “Arpilleristas:  Committing Voices to Memory,” Dr. William E. Nicholas, Faculty Sponsor.

    • Wesley Gannon Kelley, “Every Thought Captive:  Guilt in Evangelicalism?” Dr. J. Lawrence Brasher, Faculty Sponsor.

    • Elina Elizabeth Kukuy, “Bris Milah:  4000 Years of Religious Practice Meets Western Medicine and the Media,” Dr. Pamela K. Hanson, Faculty Sponsor.

    • Tony Wade Langer, “Help Yourself:  The Psychology of Helping Behavior,” Dr. Lynne Trench, Faculty Sponsor.

    • Tamara Dean McLeod, “Studying and Experiencing Creativity,” Dr. Ron Hooten and Dr. Susan K. Hagen, Faculty Sponsors.

 

2004-2005

    • Jeris Morgan Burns, “From Fountains to Flamingos: A Study of Yard Art as an Expression of Identity,” Dr. Robyn Ryle and Dr. Guy Dalto, Faculty Sponsors.

    • Lauren Elizabeth Kilgore, “My Grass is Blue: The Origins and Influence of Traditional American Folk and Bluegrass,” Dr. Vincent Gawronski, Faculty Sponsor.

    • Linnea Michelle Larson, “Federalized vs. Privatized Regulation of Research, Production, Distribution, and Administration of Immunizations in the US,” Dr. Sara Robicheaux, Faculty Sponsor.

    • Julia Tankard McMath, “Key Strokes vs. Brush Strokes: An Experiment in Digital Art,” Mr. Jim Neel, Faculty Sponsor.

    • Robin Joyce Parks, “The Creative Class and the Revitalization of Birmingham’s Urban Economy” Dr. Ed LaMonte, Faculty Sponsor.

    • Jeffrey Dwight Parsons, “Just the Facts: The Availability and Impact of Nonjudgmental Resources in Libraries for Gay and Lesbian Youth,” Dr. Terry S. Goodrick, and Dr. Tricia Witte, Faculty Sponsors.

    • Anne Aletta Terry, “Wine: Religious and Cultural Significance,” Dr. Michael McInturff, Faculty Sponsor.

    • Allison Paige Warren, “The Past and Present Cultural Significance of Body Art,” Dr. Thomas J. Gibbs, Faculty Sponsor.

2003-2004

    • Kimberly L. Bell, “The Image of the Oriental Woman,” Dr. Matt Levey, Faculty Sponsor.

    • Sara M. Doughton, “Cross Cultural Studies in Female Beauty,” Mr. Kent Andersen, Faculty Sponsor.

    • Margaret A. Ege, “Legends of the Sea: An Exploration of the Romance and Reality of the Pirating World,” Dr. Tynes Cowan, Faculty Sponsor.

    • Karen L. Johnson, “The Free State of Winston: A Study of the History of Winston County, Alabama during the Civil War Period,” Dr. Sam Stayer, Faculty Sponsor.

    • John Thomas Newman, “Perceptions of the U. S. Military Presence in Okinawa,” Dr. Matt Levey, Faculty Sponsor.

    • Carl Hunter Russell, “The Art of Art Restoration: A Study of the Philosophy and Techniques of Art Restoration and Conservation,” Dr. Pamela K. Hanson, Faculty Sponsor.

    • Anna M. Spruiell Kittinger, “One Man’s Junk is Another Man’s Treasure: Joe Minter’s African Village,” Dr. Sandra Sprayberry, Faculty Sponsor.

    • Sunday L. Vanderver, “Impact of Images: Case Studies in Photojournalism and the Civil Rights Movement,” Dr. Ed. LaMonte, Faculty Sponsor.

2002-2003

    • Melanie Rose Barnhart, "The Exploitation of Women in Advertising and Its Effect on the Self-Image of Adolescent Girls," Dr. Kathy Hollingsworth, Faculty Sponsor.

    • Brooxie Carlton, "How Music Affects the Listener," Dr. Dorothy Hindman, Faculty Sponsor.

    • Kerry Beth Fox, "Quilting an Identity: Piecing Together a Sense of Self Looking into the Past and the Future," Dr. Charlotte Ford, Faculty Sponsor.

    • Whitney Leigh Gallien, "The Fears and Desires of Two American Generations as Reflected Through Comic Books," Dr. Tynes Cowan, Faculty Sponsor.

    • Nicholas Meyer Gaskill, "When a Newspaper can be a Bottle: Engaging the History and Aesthetics of Collage," Dr. Jim Neel, Faculty Sponsor.

    • Mary E. Gilmer, "Eyewitness to Horror: The Impact of the 1862 Exhibition of the Matthew Brady Studio's Photographs of the Antietam Battlefield," Dr. V. Markham Lester, Faculty Sponsor.

    • Danny Patrick Gleason, "An Analysis of Common Approaches to Honors Programs in Higher Education," Dr. Katherine Kirkpatrick, Faculty Sponsor.

    • Lauren Ashford Harrington, "Lateralization in Rats: Is Handedness Distinctly Human?" Dr. Megan Peterson, Faculty Sponsor.

    • Angelika Ruth Kuettner, "Abraham Lincoln Through the Eyes of the 1860 Election Voter: A Narrative from the Voter's Perspective," Dr. Guy Hubbs, Faculty Sponsor.

    • John Eric Seay, "Breathing Life into Love: A Study of Relationships Through the Medium of Song," Dr. Charles Mason, Faculty Sponsor

    • John Tyler Thomas, "Literature of Fly Fishing," Dr. David Schedler, Faculty Sponsor.

    • Victor S. Vasile, "Two Wascally Wabbits: Brer Rabbit and Bugs Bunny," Dr. Sandra Sprayberry, Faculty Sponsor.

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