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Steven F. Cole, Jim Neel, Robert L. Shelton, Kathleen Spies, Pamela
Venz
The faculty of art offers courses that introduce students to the visual
arts, both as observers and participants. Beginning courses are open
to students with no previous training. In addition, there are three programs
for those who wish to concentrate in art. One leads to the B.F.A. degree
in either painting, photography, printmaking, or sculpture. The second
program leads to the B.A. degree in studio art with emphasis in painting,
photography, printmaking, or sculpture. A third program leads to the
B.A. degree with a major in art history. Tutorial or contract courses
cannot substitute for required art history courses.
With the approval of his or her advisor, an art major may elect one
teaching experience in the area of concentration. This is done in either
the sophomore, junior, or senior year by enrolling in AR 298, 398, or
498.
Students with a studio concentration must be able to demonstrate that
they are sufficiently competent to undertake college-level work in the
visual arts.
B.F.A. in Painting, Photography, Printmaking, or Sculpture (17 units):
- AR 111 and 112
- AR 114
- AR 150, 250, and 350
- AR 216
- AR 471 and 472
- two additional units in art history
- three units in the area of concentration
(painting, photography, printmaking, or sculpture)
- two additional
units in two of the three other areas
AR 499
B.A. in Studio Art (13 units):
- AR 111 and 112
- AR 114
- AR 150, 250, and 350
- AR 216
two additional units in art history
- three units in the area of concentration
(painting, photography, printmaking, or sculpture)
- AR 499
B.A. in Art History (13 units):
- AR 101, 103, or 104
- AR 102
- AR 114
- AR 215
- AR 216
- five additional units in art history
- two additional units at the 200
level or above, outside of art history, in related field/s of interest
(such as studio art, literature,
history, or language courses) not used for general education
- AR
499
Studio Art (5 units):
- AR 101 or 103
- AR 102
- AR 104
- AR 215 or 216
- one unit in AR studio experience at the 300 level or
above
Art History (5 units):
- AR 215
- AR 216
- one unit from AR 101, 102, 103, 104
- two units from AR 315, 316, 415,
416, 470
AR 100 First Experiences in Studio Art (1)
A first-year level, team-taught introduction to the five studio art disciplines of drawing, painting, printmaking, photography and sculpture. After a one-week introduction and analysis of studio approaches and applications, the course introduces the five disciplines through five two-week concentration sessions. The course does not count towards art major requirements. (Satisfies Skills Foundation requirement in creative art.) Materials fee required. Fall.
AR 101 Basic Painting (1)
A studio course for the non major or art minor, dealing with the fundamental
principles of oil painting, accompanied by supplemental exercises aimed
at developing elementary drawing skills. Fall, Spring.
AR 102 Basic Design (1)
A studio course for the non major or art minor, dealing with two and
three dimensional problems in organization, proportional relationship,
and use of materials. Fall, Spring.
AR 103 Basic Photography (1)
A studio course for the non-major or art minor with no prior darkroom
experience and limited or no 35mm camera experience. Emphasis is on
the development of basic technical and aesthetic facility in 35mm photography.
A 35mm camera is required. Fall, Spring.
AR 104 Basic Drawing (1)
A studio experience for the non major or art minor dealing with the basic
principles of composition, proportions, linear perspective, and form
in space within the context of representational drawing. Fall, Spring.
AR 111 Two-Dimensional Design (1)
A studio course for the art major, emphasizing structural and proportional
organization through problems in line, tonal contrast, and color relationship,
employing a variety of materials. Prerequisite: art major. Fall.
AR 112 Three-Dimensional Design (1)
A studio course for the art major, emphasizing composition and construction
techniques through a series of three-dimensional projects. Spring.
AR 114 Introduction to Art Issues (1)
An introductory discussion course designed for beginning studio art and
art history majors. Students are introduced to the language and methods
of verbal and written visual analysis, and to political and social
issues surrounding the production and consumption of art today. Fall.
AR 150 Drawing I (1)
A studio course for the art major, dealing with basic principles of drawing.
This course emphasizes drawing skills and perception. Prerequisite:
art major. Spring.
AR 215 Survey of Art History I: Ancient to Medieval (1)
A slide lecture course that provides the general student as well as the
art major with an introduction to the language and methodology of art
history. Focus is placed on stylistic development and its relation
to cultural and historical contexts. Objects studied include prehistoric
cave paintings, Egyptian pyramids, ancient Greek sculpture, and the
cathedrals of medieval Europe (an IC designated course). Fall.
AR 216 Survey of Art History II: Renaissance to the Present (1)
A slide lecture course that provides the general student as well as the
art major with an introduction to the language and methodology of art
history. Focus is placed on stylistic development and its relation to
cultural and historical contexts. Artists studied include Michelangelo,
Rembrandt, Monet, Picasso, Dali, and O'Keeffe (an IC designated course).
Spring.
AR 220 International Film I (1)
An overview of the stylistic and creative development of the art film
from the silent era in Europe through the French New Wave. Two two-and-one-half
hour meetings weekly (an IC designated course). Fall.
AR 221 International Film II (1)
An overview of the stylistic and creative development of the art film
from the second Italian Renaissance to the present. Two two-and-one-half-hour
meetings weekly (an IC designated course). Spring.
AR 250 Drawing II (1)
A studio experience for the art major dealing with compositional drawing
in a variety of basic media. Prerequisite: AR 150. Fall.
AR 301 Printmaking I (1)
A studio experience in collagraph, linocut, etching, and engraving as
an introduction to relief and intaglio printmaking. Prerequisites:
AR 111 and consent. Fall, Spring.
AR 302 Printmaking II (1)
A studio experience in advanced level of techniques presented in AR 301.
Prerequisite: AR 301. Fall, Spring.
AR 303 Printmaking III (1)
Introduction to lithography, experimental intaglio, and color intaglio,
for the printmaking major. Prerequisite: AR 302. Fall, Spring.
AR 306 Painting I (1)
A studio experience in the fundamentals of oil painting, exploring traditional
subjects and concepts. Prerequisites: AR 150 and consent. Fall, Spring.
AR 307 Painting II (1)
Application of techniques presented in AR 306, with an investigative
approach to materials and style and an emphasis on aesthetics. Prerequisite:
AR 306. Fall, Spring.
AR 308 Painting III (1)
A continuation of AR 307. Specifically for the painting major, this course
emphasizes creativity and development of works in series. Prerequisite:
AR 307. Fall, Spring.
AR 311 Sculpture I (1)
A studio experience in several traditional sculptural concepts and media,
including modeling, casting, and carving. Prerequisites: AR 112 and consent.
Fall, Spring.
AR 312 Sculpture II (1)
Advanced sculptural problems, their concepts and media. Prerequisite:
AR 311. Fall, Spring.
AR 313 Sculpture III (1)
A continuation of AR 312, specifically for the sculpture major. Prerequisite:
AR 312. Fall, Spring.
AR 315 Renaissance and Baroque Art (1)
A study of Renaissance and Baroque movements in southern and northern
art (an IC designated course). Prerequisite: AR 215. Spring.
AR 316 American Art (1)
A study of the visual arts of the United States and their social-historical
contexts from the Colonial period to 1945. Prerequisite: AR 216 or
consent. Fall.
AR 321 Photography I (1)
A studio experience for art majors in the fundamentals of 35mm photography
beyond basic technical skills. Introduces the use of various films,
papers, and darkroom techniques. Prerequisite: AR 111 and consent.
Fall, Spring.
AR 322 Photography II (1)
Application of techniques presented in AR 321 with an investigative approach
to photographic image making. Prerequisite: AR 321 and consent. Fall,
Spring.
AR 323 Photography III (1)
An advanced application of the technical and conceptual themes covered
in AR 322, specifically for the photography major. Prerequisite: AR
322 and consent. Fall, Spring.
AR 350 Drawing III (1)
A studio experience for the art major dealing with experimentation in
drawing media and techniques. This course emphasizes concepts and development
of a personal approach. Prerequisite: AR 250. Spring.
AR 415 Nineteenth-Century Art (1)
A study of the major European art movements from about 1760 to 1900,
with a brief inclusion of their correlation in America. Focus is given
to viewing artworks in their social historical contexts (an IC designated
course). Prerequisite: AR 216 or consent. Fall.
AR 416 Twentieth-Century Art (1)
A study of the major European and American art movements from 1900 to
the present. Focus is given to viewing artworks in their social historical
contexts (an IC designated course). Prerequisite: AR 216 or consent.
Spring.
AR 470 Art History Seminar (1)
Problems in art history, taught by the seminar method. This course may
be repeated once for credit. Prerequisite: consent. Spring.
AR 471 Senior Studio I (1)
A course for B.A. and B.F.A. studio art degree candidates that leads to the production of a series of related works in the student’s area of specialization. For the B.A. student, the course fulfills the senior capstone experience and will culminate in a public exhibition of the completed works, a public talk, and a written formal statement. For the B.F.A. student, the course is the first of three courses (AR 471, 499, and 472) that comprise the senior capstone experience; the completion of all three courses will culminate in a public exhibition, a public talk, a formal artist’s statement, and a written thesis. The major components of this course will include weekly critiques, a written statement of purpose, and the development of a formal statement that outlines the conceptual and visual basis of the student’s work. Prerequisites: completion of all art studio courses through the advanced level, senior standing, and consent. Fall.
AR 472 Senior Studio II (1)
A continuation of work initiated in AR 471 culminating in the student’s
participation in the senior exhibition to be reviewed by the art faculty.
Prerequisite: AR 471. Spring.
AR 499 Senior Project in Art (1)
A capstone experience in art subject to approval by the major professor.
The B.F.A. candidate either continues project work from AR 471 or takes
on a course of study supportive of the senior studio experience. The
B.A. candidate in studio art pursues a personalized experience in visual
art that enhances his or her chosen course of study over the previous
four years; it may be project or research oriented, documented travel,
or an internship. The B.A. candidate in art history either produces
a documented research paper or completes an internship with the Birmingham
Museum of Art. Prerequisite: senior standing. Interim. |